The Offbeat Marquee: Film and TV Reviews

Today is, somewhat appropriately, a double feature. A birthday shout out to two fantastic men that have been sending everyone behind the sofa and under the bed in fright. Sir Christopher Lee of the Hammer horror fame and the legendary Vincent Price were born on this day, May 27th. I am exceptionally fond of these actors because of how impressive they could be, both with fangs and without. Lee was a man with a wonderfully chilling baritone voice that could strike fear in the bravest, but also could be so eloquent in such odd films from the minds of directors such as Jess Franco. And Vincent Price is a man of versatility as well, whether it was his early years in films like The Private Lives of Elizabeth and Essex and Laura , or his team-ups with men like Roger Corman for a grand night of frightening people with the power of Poe. And so today, I salute you two terrifying gents today. Happy birthday.

INTRODUCTION Oh...boy. This is one film I was excited to get. But I'm not disappointed. I'm just fascinated. The Plague Dogs is a 1982 animated adventure drama that tells the tale of two dogs that have escaped from a laboratory, and as they try to survive in the wild, they become the target of a hunt because they are perceived to be carrying the bubonic plague, creating two parallel narratives that overlap and intertwine. What fun! And for everyone's information, I am reviewing the ORIGINAL CUT. The 100-minute version that no one seems to want to watch. THE PROS First off, this film was directed by Martin Rosen. He was the same man behind the 1978 landmark animated feature Watership Down . These two features share much in common. Rosen at the helm when it came to direction, screenwriting, and producing. Both were based off of the work of the fantastic late author Richard Adams. And both feature the legendary late actor, Sir John Hurt. And with that, the acti

Also to be hosted on "The Offbeat Marquee" are editorials discussing a specific topic relating to film or television. Our first is a discussion of a movement and niche genre of Italian film.   An Italian lobby card for the iconic Argento giallo, Deep Red . In my pile of DVDs, there exists a case that contains three films, The Fifth Cord , Forbidden Photos of a Lady Above Suspicion , and The Pajama Girl Case . These films have three things in common: they're all Italian, they're all from the 1970s, and they are all gialli. Giallo is a term with two meanings. In Italy, the term refers to the films of the thriller genre, like Psycho or The Third Man . To most fans of exploitation cinema, the term refers to a certain type of Italian thriller. It was inspired by 1920s mystery novels, most pressed with yellow covers ("giallo" literally meaning "yellow" in Italian). The genre was first developed by director Mario Bava in 1961 with his film

Just a small remembrance of Katherine Hepburn. Hepburn's work is just fantastic. Whether it was a Cukor comedy or a late drama such as On Golden Pond (1981), Kate could light up a screen, and bring a great sense of drama. I will forever remember her with Spencer Tracy on so many delightful comedies as Adam's Rib or Guess Who's Coming to Dinner.  She was a true talent. Love ya Kate.   Katherine Hepburn (1907 - 2003)