Skip to main content

An Introduction

I was planning on doing a fancy intro to sound like I'm someone from up on high, but I'll be candid. I'm a lover of film and television. I've got a DVR full of different flicks, a collection of DVDs that, when stacked one on top of the other, are soon going to be halfway to hitting the ceiling. I'm regularly recommended certain films and TV shows and I regularly recommend films and TV shows. I'm essentially a walking, talking book of movie and TV trivia. And of strong opinions. That is why I have made this blog.

My tastes have crossed continents, languages, and mediums. I have watched films shown in the grindhouse, the arthouse, and the theaters of Hollywood from the 1910s to the 1990s. I watch animation, I watch live-action, I watch practically everything. With this bit of info, you are now armed with all you need to know about the contents of this blog.

This is a blog that aims to discuss film and television from around the world, from 20th century Hollywood, and from the independent film industry. From country to country, from niche genre to niche genre, and from mind to mind. This is the Offbeat Marquee, a place where film and television is celebrated and critiqued, no matter how iconic or obscure it may be.

Got Requests? Email me at: herrmanngoldsmithrozsa@gmail.com
Follow me on Twitter: @stagescreen60
Friend Me on Facebook: Jacob Calta
Follow me on Instagram: jc_st58_
Subscribe to me on YouTube: Jacob Calta

Comments

Post a Comment

Popular posts from this blog

Double Feature: Clearwater Features's TUGS (1989) & Cosgrove Hall's The Wind in the Willows (1983 - 1988)

INTRODUCTION It's probably best that we dial things down and finally get around to talking about something I mention in the description of this godforsaken blog: TV! Namely 80s British children's programming! There's one major reason why I've chosen this unnaturally specific arena of the small screen...I grew up on it. Through the power of the internet, DVDs, and even syndicated broadcasts in the US in some instances, I was able to experience what kids from London to Lancaster watched during the days of Thatcher and the New Wave of British Heavy Metal. And I ate that stuff right up as a tot. There was something unique about English programming in general at the time. There was a certain homeliness to it. It was as if you return to your house or flat, turn on the tube, but it was catching an episode of Last of the Summer Wine or Only Fools & Horses that truly made you feel like you were at home. When it comes to kid's programming, I find that the UK is...
Post a Comment
Read more

Soundtrack Special - Bernard Herrmann's Vertigo (1958)

Well then, this is new... INTRODUCTION So I am an insane fan of Bernard Herrmann. I will watch a crap film just to hear one of his scores, and I can be sucked into a brilliant film even deeper through his brilliant sense of "musical psychology," an odd term I'll use to describe how Herrmann suggested ideas and spun narratives solely through the power of the film score. And to celebrate the legend's birthday, I thought we would tackle the big score of Herrmann's iconic collaboration with Alfred Hitchcock, Vertigo . I call this one the biggie as, while Psycho definitely is a masterpiece in and of itself, Vertigo is one of the most complex and highly regarded film scores ever. And, it serves as just one of the great elements of the twisted tale of obsession woven in such a way as to create one of the most highly regarded films of all time. The man of the hour, American composer Bernard Herrmann BACKGROUND First, I believe setting the stage migh...
Post a Comment
Read more

Review: Ran - 1985

INTRODUCTION Akira Kurosawa is likely one of the most important filmmakers of the 20th century. Through his feudal films, we saw the works of Shakespeare reborn and new tales that have been told for decades. Through his modern day exploits, we looked into the heart of humanity at the time, peering into the souls of many. In his 1985 latter-day masterpiece Ran , we saw the best of both worlds. This is likely one of the most powerful pieces of film I've ever seen. I simply can't fathom one word against it. So I am going to bring you all on a tour of the elements of Ran , and how they are absolutely astonishing in execution and affect. Now this review will delve into mild spoilers, nothing too serious, but I highly recommend that you all watch this masterful film prior to reading. But if you do read through this, I hope it compels you to watch this gargantuan marvel of a motion picture, or heck, even rewatch it on account of this. STORY Akira Kurosawa's Ran is a 198...
Post a Comment
Read more