Skip to main content

An Introduction

I was planning on doing a fancy intro to sound like I'm someone from up on high, but I'll be candid. I'm a lover of film and television. I've got a DVR full of different flicks, a collection of DVDs that, when stacked one on top of the other, are soon going to be halfway to hitting the ceiling. I'm regularly recommended certain films and TV shows and I regularly recommend films and TV shows. I'm essentially a walking, talking book of movie and TV trivia. And of strong opinions. That is why I have made this blog.

My tastes have crossed continents, languages, and mediums. I have watched films shown in the grindhouse, the arthouse, and the theaters of Hollywood from the 1910s to the 1990s. I watch animation, I watch live-action, I watch practically everything. With this bit of info, you are now armed with all you need to know about the contents of this blog.

This is a blog that aims to discuss film and television from around the world, from 20th century Hollywood, and from the independent film industry. From country to country, from niche genre to niche genre, and from mind to mind. This is the Offbeat Marquee, a place where film and television is celebrated and critiqued, no matter how iconic or obscure it may be.

Got Requests? Email me at: herrmanngoldsmithrozsa@gmail.com
Follow me on Twitter: @stagescreen60
Friend Me on Facebook: Jacob Calta
Follow me on Instagram: jc_st58_
Subscribe to me on YouTube: Jacob Calta

Comments

Post a Comment

Popular posts from this blog

Review: The Plague Dogs - 1982

INTRODUCTION Oh...boy. This is one film I was excited to get. But I'm not disappointed. I'm just fascinated. The Plague Dogs is a 1982 animated adventure drama that tells the tale of two dogs that have escaped from a laboratory, and as they try to survive in the wild, they become the target of a hunt because they are perceived to be carrying the bubonic plague, creating two parallel narratives that overlap and intertwine. What fun! And for everyone's information, I am reviewing the ORIGINAL CUT. The 100-minute version that no one seems to want to watch. THE PROS First off, this film was directed by Martin Rosen. He was the same man behind the 1978 landmark animated feature Watership Down . These two features share much in common. Rosen at the helm when it came to direction, screenwriting, and producing. Both were based off of the work of the fantastic late author Richard Adams. And both feature the legendary late actor, Sir John Hurt. And with that, the acti...
Post a Comment
Read more

Double Feature: Clearwater Features's TUGS (1989) & Cosgrove Hall's The Wind in the Willows (1983 - 1988)

INTRODUCTION It's probably best that we dial things down and finally get around to talking about something I mention in the description of this godforsaken blog: TV! Namely 80s British children's programming! There's one major reason why I've chosen this unnaturally specific arena of the small screen...I grew up on it. Through the power of the internet, DVDs, and even syndicated broadcasts in the US in some instances, I was able to experience what kids from London to Lancaster watched during the days of Thatcher and the New Wave of British Heavy Metal. And I ate that stuff right up as a tot. There was something unique about English programming in general at the time. There was a certain homeliness to it. It was as if you return to your house or flat, turn on the tube, but it was catching an episode of Last of the Summer Wine or Only Fools & Horses that truly made you feel like you were at home. When it comes to kid's programming, I find that the UK is...
Post a Comment
Read more

Review: American Pop - 1981

INTRODUCTION  I must say this: I'm a fan of Ralph Bakshi, and I'm a fan of music. So put the two together, and that's a recipe for one happy me. And here to deliver the goods is the 1980 animated opus, American Pop , a tale of four generations of talent where only one comes out on top. THE PROS Okay then, where to begin with a piece like this? How about something along the lines of, "My God was that freaking amazing!" Those words were the first out of my mouth after having watched it, and those are words I stand by. I was blown away by this piece for how unashamedly ambitious it was. Conceptually, Ronni Kern's screenplay is an ingenious one, telling the tale of four men whose lives are intertwined with that of the music of their time, showing how sometimes honest-to-God hard work can all be for not, and success can sometimes come from what could be viewed as an "undignified" gateway. The stories are all reasonably developed, at least ...
Post a Comment
Read more