A Little Shout Out

Just a small remembrance of Katherine Hepburn.

Hepburn's work is just fantastic. Whether it was a Cukor comedy or a late drama such as On Golden Pond (1981), Kate could light up a screen, and bring a great sense of drama. I will forever remember her with Spencer Tracy on so many delightful comedies as Adam's Rib or Guess Who's Coming to Dinner. She was a true talent. Love ya Kate.

Katherine Hepburn (1907 - 2003)

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Soundtrack Special - Bernard Herrmann's Vertigo (1958)

Well then, this is new... INTRODUCTION So I am an insane fan of Bernard Herrmann. I will watch a crap film just to hear one of his scores, and I can be sucked into a brilliant film even deeper through his brilliant sense of "musical psychology," an odd term I'll use to describe how Herrmann suggested ideas and spun narratives solely through the power of the film score. And to celebrate the legend's birthday, I thought we would tackle the big score of Herrmann's iconic collaboration with Alfred Hitchcock, Vertigo . I call this one the biggie as, while Psycho definitely is a masterpiece in and of itself, Vertigo is one of the most complex and highly regarded film scores ever. And, it serves as just one of the great elements of the twisted tale of obsession woven in such a way as to create one of the most highly regarded films of all time. The man of the hour, American composer Bernard Herrmann BACKGROUND First, I believe setting the stage migh...

Double Feature: Clearwater Features's TUGS (1989) & Cosgrove Hall's The Wind in the Willows (1983 - 1988)

INTRODUCTION It's probably best that we dial things down and finally get around to talking about something I mention in the description of this godforsaken blog: TV! Namely 80s British children's programming! There's one major reason why I've chosen this unnaturally specific arena of the small screen...I grew up on it. Through the power of the internet, DVDs, and even syndicated broadcasts in the US in some instances, I was able to experience what kids from London to Lancaster watched during the days of Thatcher and the New Wave of British Heavy Metal. And I ate that stuff right up as a tot. There was something unique about English programming in general at the time. There was a certain homeliness to it. It was as if you return to your house or flat, turn on the tube, but it was catching an episode of Last of the Summer Wine or Only Fools & Horses that truly made you feel like you were at home. When it comes to kid's programming, I find that the UK is...

Review: American Pop - 1981

INTRODUCTION I must say this: I'm a fan of Ralph Bakshi, and I'm a fan of music. So put the two together, and that's a recipe for one happy me. And here to deliver the goods is the 1980 animated opus, American Pop , a tale of four generations of talent where only one comes out on top. THE PROS Okay then, where to begin with a piece like this? How about something along the lines of, "My God was that freaking amazing!" Those words were the first out of my mouth after having watched it, and those are words I stand by. I was blown away by this piece for how unashamedly ambitious it was. Conceptually, Ronni Kern's screenplay is an ingenious one, telling the tale of four men whose lives are intertwined with that of the music of their time, showing how sometimes honest-to-God hard work can all be for not, and success can sometimes come from what could be viewed as an "undignified" gateway. The stories are all reasonably developed, at least ...

The Offbeat Marquee: Film and TV Reviews

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